Best vlogging cameras? You’ve arrived. These video cameras are ideal for vloggers who wish to record professionally for their audience, start a YouTube channel, or live stream. From mirrorless to high-end webcams, there’s a vlogging camera for everyone. We’ve tried out all the major options to help you choose. What and how you use a vlogging camera determines its capabilities. An adjustable screen allows a solitary filmmaker to frame shots any way they want. You’ll need a good microphone and a face-tracking focusing device if you shoot a lot of videos. Does it work? If you don’t already have it, in-body image stabilisation is fantastic.
The vlogging cameras nowadays include 4K resolution. But a good vlogging camera is more than that. Need a camera that records 120 frames per second for slow-motion cutscenes? If you plan to edit in post-production, 10-bit colour depth will help. Your financial situation may sway other factors. Small cameras like the Insta360 Go 2 give up creative freedom for convenience. With no need for interchangeable lenses, the Sony ZV-1 is a great compromise. Although small, the 1-inch sensor captures stunning 4K video.
Our current favourite vlogging camera is the Fujifilm X-S10. Its versatile 4K video specs, in-body image stabilisation, and vari-angle screen make it suitable for vloggers of various types and ability levels. It can also take amazing still photos. However, its restricted touchscreen controls and lack of weatherproofing make it not suitable for all situations. Depending on your needs, the new Panasonic GH5 Mark II or Sony ZV-E10 may be a better fit due to its built-in YouTube and Facebook video streaming features. Our list of the best vlogging cameras covers a wide range of needs and budgets. To help you choose the finest vlogging tool for your needs, we’ve ranked our top picks on features, performance, and overall value. The list below includes cameras for all types of vloggers, from high-end to low-cost.
1) Sony ZV-1 review (Powerful and Handy)
The Sony ZV-1 is currently the most powerful pocket vlogging camera available. It combines the finest video capabilities of the Sony RX100 series, including the industry-leading autofocus technology, with design changes that make it perfect for filming YouTube videos at home or on the go.
Compact, Video Eye AF, Flip Screen, in-Built Microphone, 4K Vlogging Camera, and Content Creation. The combination of a brilliant 24-70mm f/1.8-2.8 lens and Sony’s Real-time tracking and Real-time Eye AF technologies is its primary strength. These features, along with the ZV-1’s 1-inch sensor, which is bigger than those used in today’s smartphones, make it simple to capture high-quality vlogs with attractive background blur and stable focus.
A 3.5mm microphone connection makes it very simple to add high-quality audio to accompany your movies, while a hot shoe enables you to attach accessories like a shotgun mic or LED light without the need for a bracket. This is especially helpful, although the ZV-1’s three-capsule internal microphone is an upgrade over the built-in microphones found on the RX100 series and other small cameras, it falls short of providing audio that matches the video quality. At the very least, you get a windscreen included with the camera, which is necessary for shooting in windy situations.
The ZV-1 is not ideal, and depending on your requirements, you may want to explore alternative choices. While its SteadyShot stabilization is adequate for walking movies, it falls short of the smoothness provided by the DJI Osmo Pocket, GoPro Hero 8 Black, or bigger cameras such as the Olympus E-M5 Mark III. Its greatest stability also results in a small crop, which may result in a slightly shorter focal length for handheld photos, but we didn’t find this to be a problem.
|Product Dimensions||4.4 x 6 x 10.5 cm; 294 Grams|
|Batteries||1 Lithium-ion battery is required. (included)|
|Mounting Hardware||1 unit ZV1 Camera, 1 unit Rechargeable Battery Pack (NP-BX1), 1 unit Micro USB cable, 1 unit Wind Screen, 1 unit Wind Screen Adaptor, 1 unit SD Card (SF-64UX2) and 1 unit Instruction Manual.|
|Max Resolution||20.1 MP|
|Optical Sensor Resolution||20.1 MP|
|Video Capture Resolution||2160p|
|Optical Zoom||2.7 x|
|Item Weight||294 G|
|Price||₹59,990 (10% OFF + 1250 OFF Bank Offers)|
2) Fujifilm X-S10 review (Ultimate Choice for Professionals)
The Fujifilm X-S10 marks a significant advancement in the company’s pursuit of the ideal mid-range mirrorless camera. By incorporating several of the finest features from its flagship Fujifilm X-T4 camera, including in-body image stabilization (IBIS), into a smaller, more affordable chassis, Fujifilm has created one of the best cameras for beginners and hobbyist photographers to date.
Until recently, great little cameras such as the Fujifilm X-T30 have played the position of deputy to Fujifilm’s X-T flagships. The X-S10 is not a successor for the X-T10, but rather an effort to win over new admirers who have been resistive to Fujifilm’s charms thus far.
As with the X-T4, the Fujifilm X-S10 has been designed as a genuine all-rounder capable of capturing both video and stills. You get the tried-and-true combo of the 26.1MP X-Trans CMOS 4 sensor and the X-Processor 4, as well as the ability to shoot 4K/30p video without cropping. However, the X-handling S10’s and controls exhibit an unusual shift in direction. Instead of Fujifilm’s trademark array of manual dials, you get a PASM (Program, Aperture, Shutter Speed, Manual) dial and a hefty handgrip evocative of vintage DSLRs.
In summary, if you own an older Canon or Nikon DSLR and want to upgrade to something more compact and contemporary, the X-S10 will feel perfectly at home. How does the X-S10 stack up against its rivals? In general, pretty good. The still picture quality is similar to that of the Fujifilm X-T4, which is presently ranked first in our list of the finest cameras. The X-4K S10’s video is also competitive with competitors such as the Nikon Z50 and Sony A6600.
When combined with the Fujfilm X-other S10’s strengths – vintage design, a comfortable grip, and outstanding picture and video quality – you have one of the finest mirrorless cameras available at this price point. The absence of weatherproofing and somewhat subpar focusing are the camera’s only flaws.
With its classic Fujifilm design, the X-design S10 is also a major departure from previous mirrorless cameras. On first glance, it looks like a Fujifilm X-T4 with a larger, deeper grip. The grip makes the size difference less noticeable than the X-T4. While the X-S10 is not pocketable, it is 465g lighter than its brother (making it about three-quarters the weight of the X-T4). The magnesium alloy construction also gives it a higher quality feel than cheaper models like the Fujifilm X-T200.
It is only when you begin to use the X-S10 that you will realize the significant differences between it and the rest of the X-series. Fujifilm cameras are well-known for their dial-heavy control layout, with the majority including a triplet of wheels for fine-tuning shutter speed, ISO, and exposure compensation.
Rather than that, you get the PASM dial (Program, Aperture, Shutter Speed, Manual), which is the preferred method of operation for the majority of other camera makers. This, Fujifilm said, is because it discovered that many consumers were put off converting to X-Series cameras simply because the standard dials were too complicated.
Neither method is objectively superior to the other, much like how Apple and Android handle the smartphone home screen differently. However, although Fujifilm purists may be disappointed, anybody coming from Sony or Nikon would feel right at home with the X-S10. Not that the X-S10 is an ergonomic triumph. We found the camera’s power button to be overly slick, making it difficult to switch it on fast without looking. This is most likely due to its closeness to the front command dial, but it was an inconvenience nevertheless.
The X-absence S10’s of a d-pad on the rear also makes it more difficult to navigate its menus than on higher-end X-series cameras, with the tiny AF joystick taking over these functions. Nonetheless, we’re pleased to see an AF joystick included for selecting focusing points, and the X-S10 is a fun camera to work with on the whole.
The Fujifilm X-S10 definitely packs a punch in terms of power and features – the most noteworthy of which is in-body image stabilization (IBIS). We’ve seen tiny, APS-C cameras with IBIS before — for example, the Sony A6600 – but none at the price point of the X-S10. At this price range, the most apparent competitor is the Olympus OM-D E-M5 Mark III, which offers excellent stability but a smaller Four Thirds sensor. Additionally, there are concerns about the long-term viability of cameras such as the E-M5 series, given Olympus’ intention to leave the camera industry.
With IBIS, you can compensate for hand tremors while maintaining image quality by shooting at slower shutter speeds and lower ISOs. But they are not all equal. In contrast to the Fujifilm X-T4, the X-five-axis S10’s image stabilisation is smaller, lighter, and less effective. The X-S10 offers six stops of correction with most X-series lenses, compared to 6.5 stops on the X-T4. The X-stabilization S10’s performance is compared to the X-T4 in many ways. We found the latter’s stabilisation claims to be overstated, and a gimbal would be required to truly smooth walking video footage.
IBIS is a significant improvement for anybody who has (or is contemplating purchasing) non-stabilized prime lenses like the XF90mm f/2. Additionally, Fujifilm has added a few digital stabilization settings to supplement the sensor-based stabilization on the X-S10. If you don’t mind having your footage cropped by 10%, they will give an extra layer of smoothness to your movies.
Performance and Experts Review
On paper, the X-S10 is an excellent all-arounder, but how does it perform in practice? In general, it is highly competitive with competitors in this price range and size range. Although the IBIS technology is the true star, the X-autofocus, S10’s burst shooting, and battery life are all more mid-range than high-end – thus the hefty price.
For general photography, the X-autofocus S10’s is very dependable and comparable to that of the X-T4. While performance varies naturally depending on the lens employed, the Face and Eye recognition AF proved very dependable – even when used with lenses like the XF 50mm f/1.0 WR.
The tracking autofocus was somewhat less remarkable. As with the X-T4 (and now the X-T3, due to a recent firmware update), the X-T3 now has a small box in ‘wide/tracking’ AF mode that allows you to choose a subject in the frame to lock onto when recomposing. This worked well in our testing when the topic was near and contrasted strongly against the backdrop, but was too difficult to follow when the subject was somewhat distant — for example, ducks on the lake.
Fujifilm’s autofocus technologies have undoubtedly advanced significantly. However, they continue to lag behind class-leading systems like Sony’s Real-time tracking AF under demanding circumstances. Additionally, you miss out on features like Animal Eye AF, which is available on higher-end cameras. Nonetheless, the X-focusing S10’s is more than enough for most photography scenarios.
Burst shooting is one of the most significant performance variances between the X-S10 and X-T4. With a maximum frame rate of 8 frames per second (with the mechanical shutter) and a small buffer, the X-S10 isn’t the most powerful instrument for capturing sports and action situations. At 8 frames per second, the buffer fills after just 23 raw files (about three seconds of shooting) or 105 JPEGs. While shooting at 20 frames per second is feasible with the electronic shutter, this results in only 17 raw files or 32 JPEGs.
Quality and Features
The X-S10 has the same 26.1MP back-illuminated sensor as the Fujifilm X-T4 and X-T30 — it’s a tried-and-true performer that’s still the finest in its class.
While you won’t have the same degree of raw editing freedom as you would with a full-frame camera, the presence of IBIS helps maintain picture quality in difficult lighting situations.
One of the advantages of the X-series cameras is their ability to generate excellent out-of-camera JPEGs — regardless of whether you utilize the 18 Film Simulations.
The original ISO range of the camera is 160-12,800, and we had no problems shooting at ISO 6400. Indeed, despite minor luminance noise, ISO 12800 is very clear and acceptable. Additionally, the dynamic range is very excellent, especially when using the built-in ‘DR’ settings in the picture quality menu.
|Product Dimensions||12.6 x 6.54 x 8.51 cm; 470 Grams|
|Batteries||1 Lithium-ion battery is required. (included)|
|Standing screen display size||7.6 Centimetres|
|Max Resolution||26.1 MP|
|Optical Sensor Resolution||24 MP|
|Maximum/Minimum Shutter Speed||1/32000 Seconds|
|Item Weight||470 g|
|Price||₹79,999 (20% OFF with 3000 extra discount)|
3) GoPro Hero 9 Black Review (Rugged 5K camera with Awesome Front Display)
While the GoPro Hero 9 Black is the most powerful and flexible action camera available, its predecessor is more affordable for the majority of consumers. While the additional sensor and front display are welcome improvements, they do not represent a significant upgrade over the Hero 8 Black. Its somewhat unresponsive touchscreen is also a minor annoyance, even if a software update is on the way. While no other action matches Hero 9 Black’s skill set, several presently outperform it in terms of value.
While the GoPro Hero 9 Black is the most powerful and versatile action camera available, its additional capabilities do not offer nearly enough incremental value over its predecessor to justify the price.
The improved sensor and front display are the two most significant improvements. In the appropriate circumstances, the new 23.6MP sensor captures 5K footage with somewhat greater clarity than the Hero 8 Black.
However, the Hero 9 Black’s electronic stabilization is arguably the most significant improvement, with HyperSmooth Boost – GoPro’s greatest stabilization – available in all shooting modes. As a result, it is a top performer for people who need 4K (and 5K) videos. While the new front colour display isn’t perfect, it is great for vlogging and photography. It’s slow and can’t compete with the Sony ZV-1’s articulating display. But if you frequently appear in films, this is the GoPro for you. Other new features in the GoPro Hero 9 Black aren’t as refined. The new battery boosts endurance slightly, but the Hero 9 Black overheats more than its predecessors.
While GoPro’s latest flagship offers marginally enhanced stabilization, the quality of its 4K footage isn’t significantly higher than the Hero 8 Black’s. While other capabilities, like scheduled recording, are sometimes helpful, they are not yet fully dependable. And, most annoyingly, we found the back touchscreen of the Hero 9 Black to be very unresponsive at times.
Still, the latter issue is expected to be addressed in a November software update, and if GoPro can smooth out some of the Hero 9 Black’s other small quirks, it may yet become our top action camera choice. While the Hero 8 Black currently outperforms it in terms of value, its feature-packed sister is a close second.
The Hero 9 Black is GoPro’s most significant overhaul since the Hero 5 Black, and the results are mostly favourable (with a few caveats).
Three significant physical differences exist between the Hero 8 Black and the Hero 8: a new 1.4-inch colour display on the front, a beefier body (to accommodate the larger battery), and a larger 2.27-inch back touchscreen.
Taken together, these new capabilities seem like a reaction to the DJI Osmo Action, a young competitor that made GoPro action cameras feel a bit old in certain respects. In some ways, the Hero 9 Black continues to do so, in part because the additional features all have minor drawbacks.
To begin, the good news. The front-facing 1.4-inch colour display is a welcome feature for vlogging. It is fortunate that it is not touch-sensitive, as else your memory card would soon fill up with unfortunate mishaps, but it does offer a live video preview of your scene as well as some helpful shooting information.
As a square display, it falls short of the side-hinged displays seen on cameras such as the Sony ZV-1 or your smartphone’s screen when placed on gimbals such as the DJI OM 4. While the latter provides a comprehensive live preview of your whole shot, the Hero 9 Black’s provides more rough guidance. It’s sufficient to ensure that your face is included in the frame.
GoPro’s secret sauce has always been a mix of its industry-leading HyperSmooth stabilization, originally introduced on the Hero 7 Black, and smart software capabilities like TimeWarp. While the Hero 9 Black enhances these capabilities and expands its flexibility, it does not provide a compelling reason to upgrade from the Hero 8 Black.
Not that there aren’t some noticeable modifications under the hood. Since the Hero 3 Black in 2012, GoPro’s flagships have used 12MP sensors, but the Hero 9 Black takes the bold step of increasing this resolution to 23.6MP through a new sensor. This enables it to capture 5K/30p video and 20MP stills at all resolutions and frame rates, while also supporting the more powerful HyperSmooth Boost stabilization option (which cuts your film by 25%).
Of fact, more resolution does not always imply improved picture quality. Additional variables, like image processing, lens quality, and sensor size, may all have a significant effect on the final output. The Hero 9 Black’s 1/2.3in the sensor is likewise identical to that of its predecessors, making it considerably smaller than the Insta360 One R’s 1-inch Edition module. However, the increased 23.6MP resolution is the key to Hero 9 Black’s headlining features. Without a doubt, the 5K/30p mode, especially when coupled with the ‘High’ 100Mbps bit rate, can record more information than any GoPro to date.
Additionally, this resolution increase provides the Hero 9 Black with the additional pixels required to enable HyperSmooth Boost stabilization, which helps smooth out judder caused by even the bumpiest mountain bike ride, in both 4K/60p and 5K/30p modes. On the Hero 8 Black, this is just not feasible.
On the other hand, neither HyperSmooth 3.0 nor TimeWarp 3.0, GoPro’s movement timelapse modes, are significant upgrades over their Hero 8 Black counterparts. HyperSmooth 3.0 essentially adds Boost stabilization to those two higher resolutions and frame rates, along with some useful horizon levelling that was previously accessible exclusively in the GoPro app.
Hero 9 Black does have new features, but it lacks in terms of major performance gains over the Hero 8 Black. It might not be immediately obvious in your videos, but under the hood, Hero 9 Black may not be much faster than Hero 8 Black. While the Hero 9 Black is a great action camera, its upgrades don’t always justify the price. The ‘floaty’ aspect of HyperSmooth 3.0 is good for capturing first-person sports, but it has reduced the stability.
However, the addition of HyperSmooth Boost to the 4K/60p and 5K/30p modes is unlikely to be a significant change for many users, since setting HyperSmooth to ‘high’ (which results in a 10% crop rather than the 25% crop produced by Boost) is usually sufficient to smooth out any judder.
What about the new, larger battery in the Hero 9 Black? It does contribute to the weapon’s stamina, but not nearly enough to make a significant practical impact on how you fire.
In our side-by-side battery test with the Hero 8 Black, we obtained an additional 12 minutes from the Hero 9 Black while both cameras were recording 4K/30p with HyperSmooth enabled (84 minutes, compared to 72 minutes from its predecessor). And that included a brief cooling down period for the new model, something the Hero 8 Black lacked.
Additionally, we experienced an overheated shutdown when recording 5K/30p footage, with the Hero 9 Black requiring a cool-down period after 28 minutes of continuous filming. In all instances, it recovered enough after five minutes to continue filming, despite the fact that shooting 5K is considerably more taxing than shooting in any other GoPro setting. However, if you want your phone to survive the whole day, it makes sense to bring a backup battery or an external USB charger. Our Hero 9 Black lasted about 4-5 hours with mixed, intermittent usage (shooting video, stills, and time-lapses).
Quality of Picture and Video
The GoPro Hero 9 Black captures some of the finest videos and stills an action camera can produce, but it isn’t a significant improvement over the Hero 8 Black. The new 5K/30p mode captures much more information than any previous GoPro flagship, especially when using the maximum 100Mbps bit rate option. Additionally, file sizes are not significantly larger due to the efficient HEVC codec being used in certain settings, but they may be very demanding on your machine.
However, if you’re only interested in shooting videos for cellphones or social media, the additional resolution is unlikely to be noticed. Even with a 4K display, you’ll see a noticeable improvement in detail only when cropping or pixel peeping. While having the ability to crop is advantageous, it’s worth evaluating if you’ll ever use it.
However, if picture quality is your primary priority and you need the highest level of detail from an action camera, the Hero 9 Black may be well worth the cost. However, for the majority of users, the Hero 8 Black and Hero 7 Black are more than enough in this area. After all, all three cameras have the same sensor size. And regardless of how effective GoPro’s Hypersmooth stabilization is, even the tiniest bit of judder may nullify the resolution increase.
When recording 4K/30p video on both the Hero 9 Black and the Hero 8 Black, we sometimes preferred the footage from the latter. The Hero 9 Black’s video may seem more processed and oversharpened out of the box, which may be due to some somewhat more severe noise suppression. Increased detail is possible when more photosites are packed onto the same size sensor, but it also increases the amount of noise that must be controlled.
|Product Dimensions||2.9 x 4.8 x 6.6 cm; 131 Grams|
|Special Features||Anti-Shake, Time Lapse, Low Light|
|Mounting Hardware||Hero 9 Black, Battery, Type C Cable, Mounting and Thumb Screw|
|Max Resolution||20 MP|
|Video Capture Resolution||5K|
|Price||₹34,500 (With 37% OFF and extra 3000 bank discount)|